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As others reviewers have distinguished, 1959’s “No Name on the Bullet” is far from being a typical Audie Murphy western. Under Jack Arnold’s expert direction, the focus here is on suspense and tension, rather than action. When gunman John Gant rides into town, most of the local citizens are justifiably nervous. Gant is a hired killer, and he seldom visits a town honest to eye the sights. Distinguished of the film revolves around the questions–why is he here? Who is he after? Which of the town’s citizens will die? Since Gant isn’t the talkative type, the suspense keeps building, not to mention the nervous paranoia of the townfolk.
As Gant, Murphy delivers a chilling performance. You never doubt that, slack that baby face and modest create, is a man not to be crossed ( by all accounts, in true life, as well as in movies ) . He is not intimidated by anyone, not even a hostile crowd who thinks that, by sheer numbers, it can apprehension him away. As the town’s doctor who tries to serve Gant, Charles Drake delivers a strong performance as he comes to realize that he cannot distract the killer from his purpose.
Other gorgeous supporting actors further add to the quality of the film–Whit Bissell, Karl Swenson, Warren Stevens and Virginia Grey. Apart from one climactic scene with Mr. Murphy, leading lady, Joan Evans ( not to be confused with the celebrated comedienne ), has itsy-bitsy to do but manufacture coffee for her “man”, Charles Drake.
I found the ending to be memorable, and–for those of you who like action–there is gunplay at obvious crucial parts of the movie.
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The DVD has ravishing colour, is widescreen and mono sound. The only extra is the recent trailer.
Audie Murphy made a lot of westerns in the 1950s and 60s. “No Name on the Bullet” is not the most action-packed, but it is certainly one of the most spirited, and features one of his best perfomances. If he is not yet represented in your western DVD collection, this is an salubrious title to originate with.
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Audie Murphy gives one of his best performances as John Gant, the hired assassin, whose arrival in town pricks a lot of guilty consciences. No one is absolutely definite who he came to extinguish, but that doesn’t conclude a few restless townspeople from getting nervous and cracking under the pressure as Gant plays it frigid and bides his time. He seems unsurprised by the finish his presence has in town. As Gant eloquently puts it, he doesn’t have to speak a bullet to those types of men because “they are already boring,” suffocated by the weight of guilt caused by past sins. Gants kills only who he is paid to end, and only time will exclaim who he has really reach for.
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But there’s more to this cold-blooded avenger than meets the survey. Or so thinks Luke, the town’s likeable physician, who is a paragon of civic and accurate virtue. Juxtapposed against each other, the two seem to be sincere opposites, but a sort of friendship develops as Luke tries desperately to gain into Gant’s head and somehow turn him around before he does what he came to do. No Name on the Bullet explores many keen issues such as vengeance, justice, law and the burden of sin. Audie Murphy reveals his darker side as he plays the self-named “avenging angel.” He even tries to compares himself to his fresh friend Luke because in his mind, he too is concerned with eliminating “public health problems,” namely those who are guilty but unpunished.
Just like Murphy himself, there’s more to this film than meets the ogle. And the position takes a surprising turn at the waste, too, so it’s altogether unpredictable. As evidenced by another grand performance in To Hell and Attend, Audie Murphy was certainly a sizable soldier on cover and off. Although he was the most decorated soldier of World War II, like many other greats of his day (John Wayne, Jimmy Stewart) Murphy probably felt he was fair doing his duty. There are those who mediate this may be objective another Audie Murphy western, but this is not factual at all. It’s a stellar film that stands alone in its lustrous performances and handling of the fallen human condition.
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